Dramaturgy Notebook – October 3, 2014
By Laurel Green
I recently joined the creative team at SpiderWebShow.ca a theatrical space where
Canada, the Internet and performance minds intersect. The team is scattered all
across the country, and so we work together online. It is very appropriate that
this group curates and produces a website that features online performances
from artists across the country by collaborating via google chats, emails,
tweets, text messages and weekly video meet ups. We share information, ideas
and opinions from wherever we are when the thought strikes us. This is pretty
cool. SpiderWebShow features videos, podcasts, photography, commentary, and
criticism about making theatre in Canada today. My first project was to help
commission a new video series called Bath Time Theatre where theatre parents
reenact their favourite plays using only their kid’s bath toys. The first result
is the most adorable Beckett play I’ve ever seen.
So, I’ve been thinking a lot about how dramaturgy happens online, and what it means to create and produce work on the internet. How are we performing? Who is the audience? Where are they? How do we interact with each other?
I sat down at the end of a work day to have
a google chat with SpiderWebShow’s Digital Dramaturg Graham F. Scott. He’s the
talented guy behind the scenes who brings the website to life. We published
part of our chat on the website this week, exploring how a dramaturg can
contribute to the site’s use of Social Design: the strategic implementation of
social media to deepen or broaden the nature of an artistic project. You can
read our article over at #CdnCult Times:
(Click the preview below to be taken to the full article!)
(Click the preview below to be taken to the full article!)
Laurel
Green is ATP’s Artistic Associate. She is the production dramaturg for Butcher,
premiering October 17, and the assistant director for Charlotte’s Web, opening November 28.